Singapore will organize its second intangible cultural heritage (ICH) symposium, entitled “ICH in Cities: Multiculturalism, Social Cohesion and Sustainability,” from 30 to 31 October 2019 at the Asian Civilisations Museum’s Ngee Ann Auditorium in Singapore. The symposium will explore the...
From 23 to 25 October, ICHCAP held the 2018 Expert Workshop on ICH Video Production in Southeast Asia at the National Intangible Heritage Center in Jeonju, Korea. The workshop and meeting sessions were attended by twenty-three ICH and video experts...
Traditional puppetry of Japan, China, and Indonesia, which are inscribed on the UNESCO’s Intangible Cultural Heritage Lists, will be demonstrated at the National Intangible Heritage Center in Jeonju, Korea, from 5 to 6 October 2018. The performances will be accompanied...
FESTinFest 2018 was held in Jakarta, Indonesia, on 30 and 31 January 2018. Organized by Indonesia’s Ministry of Tourism, the event featured Bluemoon Festival and a forum dubbed “Visit Wonderful Indonesia (ViWi) 2018: Celebration of Life”. Since 2017, it is...
Jathilan (Javanese horse dance) combines dance, music, and altered states of consciousness in a spectacular cultural performance. Despite not being known to the outside world (even tourists visiting Java are hardly aware of its existence), it is popular among the...
Ten elements from the Asia-Pacific region have been added to the Representative List of the Intangible Cultural Heritage of Humanity, while one element from the region has been inscribed on the List of Intangible Cultural Heritage in Need of Urgent...
On 20 September, ICHCAP held the 2017 Expert Workshop on Video Documentation of ICH in Southeast Asia in George Town located in the Malaysian state of Penang. Since 2015, ICHCAP has been implementing a project of documenting ICH in the...
The making of masks as both a form of art and a habit of doing culture is a global undertaking. Various forms, shapes, and functions of masks exist as existing cultures in the world are informed by different contexts. By...
The wide construction of heritage and its symbolic value in the Asia-Pacific region (“wide” in terms of form and content) is made necessary and complex by the intervention of key global organizations such as UNESCO, the International Centre for the...
The Asia-Pacific region is a sanctuary of expressive and performative cultures. Dance, being a staple medium of cultural expression, can and does assert belongingness and identity in a context of regionalism and heightened connectivity. The 10th One Asia in Dance...
